It was the first weekend in June, and I was sitting on a bench in the yard with Robert Lee Williams, who has long dreadlocks and a face with sharp features, almost too pretty for prison. He used to be a Blood, now he’s looking to be a freelance prison journalist like me. He had recently published his first piece, about losing his friend in prison to a drug overdose, in the Prison Journalism Project. He hung his head, gloomy about the news of the new directive: the New York state prison system, with one stroke of a bureaucratic pen, had instituted an approvals process for creative work — paintings, poetry, feature journalism — so laborious that it would deter the most creative minds in New York prisons.
It had been about a month since, in May 2023, the New York State Department of Corrections and Community Supervision surfaced this oddly titled “Creative Arts Projects” directive. When a New York Focus reporter asked me about it, I hadn’t seen the directive, hadn’t known it existed. But apparently, we were now required to send officials our work for approval before submitting it to editors, and even publications were required to
GB News has suspended the presenter Laurence Fox soon after he went on a misogynistic on-air rant about the political journalist Ava Evans.
Fox appeared on Dan Wootton to talk about comments designed by Evans about men’s mental health, before commenting at duration on the journalist’s overall look and why he would ignore her in a bar.
In the segment, Fox identified as Evans a “little woman” and went on to say: “Show me a one self-respecting man that would like to climb into mattress with that woman ever, ever, who was not an incel.
“We will need strong, robust incredible females who make great details for themselves. We really do not require these type of feminist 4.. They are pathetic and embarrassing. Who’d want to shag that?”
As both equally Fox and Wootton laughed, Fox included: “Sorry, it is real nevertheless.”
The ongoing row has opened a rift among Fox, who has doubled down on the feedback, and Wootton, who afterwards apologised. Fox appeared to issue Wootton’s motives for the apology, posting an apparent trade of messages concerning the pair on X, formerly identified as Twitter.
Evans, who posted the clip of the segment on X immediately after it
As you may well know, the 1st of September is broadly viewed as the working day the Next Environment War started. After annexing Austria and invading the Sudetenland region of Czechoslovakia, Adolf Hitler requested German troops to mobilise on the Polish border. On this day in 1939, Germany invaded Poland. World War II had started.
This isn’t an short article about how the war commenced while. For today’s Tradition Re-Watch, as an alternative we’re focusing on the journalist who obtained in there first. How just one plucky English reporter acquired the data out prior to anyone else that the Nazis had been advancing into Poland to get the “scoop of the century.”
Clare Hollingworth was born in 1911 in Leicester. As a baby, she spent the Initially World War on a farm in the Leicester countryside. Later on, her father took her on trips to see historic struggle internet sites in England and France, encouraging her desire in warfare.
She studied Croatian at Zagreb University by a scholarship at the London-based UCL. She commenced her crafting vocation operating for the New Statesman right before obtaining a place at the Day by day Telegraph in August 1939. Regardless of her
Many knew Win Miller as a longtime news reporter and from her later work chronicling leaders in the area farming industry. But the late Chatham woman also dedicated more than three decades of her life to being a mentor.
Miller, who died Aug. 31 at 104, was a constant positive influence for Chatham native Paige Flint from age seven up.
Flint, now 41, said she first met the former London Free Press reporter, a trailblazer for women in journalism, at a church group and “we just developed a relationship.”
She said Miller spoke to some of her teachers who thought she had some promise but doubted she’d go far.
“If anybody knows Win,
A summer intern and fresh out of journalism school, I was more interested in the future than the dying days of “hot type”, but the old desker insisted.
He took me to The Globe and Mail’s basement where typesetters sat with buckets of hot lead at their feet, re-creating journalists’ words that were placed in wooden frames so that plates could be made and slapped on the press.